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Filming ‘Khadar Ki Ladkiyan’ [Khadar Girls]

Nandan Latwal, Film Director and Editor

I was lucky enough to be a part of this research network and feel strongly about the overarching objective of this research project. My association with the ‘Gendering the Smart City’ project was quite serendipitous and has been rewarding in many ways. Without going into too much detail, I would like to share a few challenges that we had to face during the making of this video with the Khadar girls. 

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Poster created by: Ayona Datta
  • Availability – Although the Khadar girls might appear homogenous, yet the group was quite diverse in terms of identity. They ranged from unmarried, divorced, to single mothers; most of them were working outside their homes and some pursuing education alongside this. Amidst all the personal, professional and educational pursuits, it was tough for them to take time out for participation in the project and particularly for the film. The working women often came to the filming sessions even if they have to make excuses at work. Those who have to take care of their family were continually moving between the filming sites and their homes. 

  • Onlooker’s reactions – It is clear from the music video that it is of an open genre where the Khadar girls speak back to the city about their day-to-day challenges particularly around violence in public spaces. Most of this music video have been shot in the streets, main road and open market – places that are frequented by men in general. The Khadar girls had to withstand this male gaze in public places, often also from their neighbours or relative. Even though initially they were uncomfortable with this gaze, they stood firmly through this. 

 

Image Credits: Ayona Datta
  • Infrastructural challenges – In the #AanaJaana StoryMap Dr. Datta has shown how in recent years urban transformation has taken places in Madanpur Khadar JJ Colony. Khadar is on the outskirts of Delhi NCR with least or minimal infrastructural development. The roads were narrow with no public transport and modern monuments of garbage everywhere, with cows scavenging on them. On the last day of our shoot there were no electricity all through the day, no streetlight, and no place to charge our equipments. 

  • Breaking the ice with Khadar girls – My association with this project is nothing but serendipity and this serendipity happened on the night before the day of the shoot. So when we started filming, although Dr. Datta and her team had been working closely with the Khadar girls but my crew and I were strangers to them. To be able to achieve a music video of a good quality we felt that it was critical for us to know them better. We spent a half a day just to get familiarise with each others through various participatory video training sessions. 

 

Image Credits: Ayona Datta
  • Facing the camera – With the advent of smart phone and cameras at both in the back and at the rear people have become adept at photography and taking selfies, but a camera with a cinematographer on the other end is still threatening to a lot of people. I have seen people serving at high posts in government and corporates stammering in front of a camera. Shooting with the Khadar girls was also not easy. We had to take numerous shoots for a single 5 second line and at time with a zero percent success rate. The first day was exceptionally challenging with little progress, but we began to have more of a rapport on the second day. Dr Datta also did a few shoots on the third day and practiced some of the shots with the girls. The last few days of shooting went smoothly with the last day going exceptionally easily as reflected in the video ending.

  • My strict task-master attitude – My personal attribute might have been a challenge for both the Khadar girls and me as director and producer in charge. As a director of the process I had to be assertive at various points and with each repeat shot I was also losing patience and failing to keep my calm. But at the end of the process the Khadar girls and I had come much closer than falling apart. We have ended the filming with a lot of mutual respect and camaraderie. I hope we can stay in touch and develop more films in the future.

Please click here to see the ‘Khadar Ki Ladkiyan’ music video.

Call for Papers: American Association of Geographers Annual Meeting ‘Gendering the Smart City: Towards Just & Feminist Urban Futures’ #aagDC

Urban Futures Research Domain

We welcome submissions for the 2019 American Association of Geographers meeting in Washington, DC April 3-7. This large interdisciplinary conference regularly attracts 6-8,000 attendees across a broad spectrum of disciplinary homes.

Gendering the Smart City: Towards just and feminist urban futures

Organisers: Ryan Burns, Ayona Datta, Nabeela Ahmed, Max Andrucki

The critical smart cities research agenda continues to develop insights into evolving relations between the digital, the urban, and socio-political process. Attention has broadened from taxonomies and ontological questions, to ideal-types and dominant epistemologies, to interrogating the “actually-existing smart city”. This trajectory has brought to the fore variegations and fissures in the politics of the smart city within which elements of social justice can appear, where smart city visions can adapt to and address low-tech infrastructures and where populations can contest the smart city’s often business-friendly, empiricist, governmentalizing, and neoliberal tendencies. Researchers have, indeed, recently illuminated smart city models that…

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